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The roots of Trop Rock Music – Reggae, Calypso, & Country

Earth Day – The History of A Movement

 

Each year, Earth Day — April 22 — marks the anniversary of what many consider the birth of the modern environmental movement in 1970.

The height of hippie and flower-child culture in the United States, 1970 brought the death of Jimi Hendrix, the last Beatles album, and Simon & Garfunkel’s “Bridge Over Troubled Water”. Protest was the order of the day, but saving the planet was not the cause. War raged in Vietnam, and students nationwide increasingly opposed it.

At the time, Americans were slurping leaded gas through massive V8 sedans. Industry belched out smoke and sludge with little fear of legal consequences or bad press. Air pollution was commonly accepted as the smell of prosperity. “Environment” was a word that appeared more often in spelling bees than on the evening news.  Although mainstream America remained oblivious to environmental concerns, the stage had been set for change by the publication of Rachel Carson’s New York Times bestseller Silent Spring in 1962.  The book represented a watershed moment for the modern environmental movement, selling more than 500,000 copies in 24 countries and, up until that moment, more than any other person, Ms. Carson raised public awareness and concern for living organisms, the environment and public health.

Earth Day 1970 capitalized on the emerging consciousness, channeling the energy of the anti-war protest movement and putting environmental concerns front and center.

 

The idea came to Earth Day founder Gaylord Nelson, then a U.S. Senator from Wisconsin, after witnessing the ravages of the 1969 massive oil spill in Santa Barbara, California. Inspired by the student anti-war movement, he realized that if he could infuse that energy with an emerging public consciousness about air and water pollution, it would force environmental protection onto the national political agenda. Senator Nelson announced the idea for a “national teach-in on the environment” to the national media; persuaded Pete McCloskey, a conservation-minded Republican Congressman, to serve as his co-chair; and recruited Denis Hayes as national coordinator. Hayes built a national staff of 85 to promote events across the land.

As a result, on the 22nd of April, 20 million Americans took to the streets, parks, and auditoriums to demonstrate for a healthy, sustainable environment in massive coast-to-coast rallies. Thousands of colleges and universities organized protests against the deterioration of the environment. Groups that had been fighting against oil spills, polluting factories and power plants, raw sewage, toxic dumps, pesticides, freeways, the loss of wilderness, and the extinction of wildlife suddenly realized they shared common values.

Earth Day 1970 achieved a rare political alignment, enlisting support from Republicans and Democrats, rich and poor, city slickers and farmers, tycoons and labor leaders. The first Earth Day led to the creation of the United States Environmental Protection Agency and the passage of the Clean AirClean Water, andEndangered Species Acts. “It was a gamble,” Gaylord recalled, “but it worked.”

As 1990 approached, a group of environmental leaders asked Denis Hayes to organize another big campaign. This time, Earth Day went global, mobilizing 200 million people in 141 countries and lifting environmental issues onto the world stage. Earth Day 1990 gave a huge boost to recycling efforts worldwide and helped pave the way for the 1992 United Nations Earth Summit in Rio de Janeiro. It also prompted President Bill Clinton to award Senator Nelson the Presidential Medal of Freedom (1995) — the highest honor given to civilians in the United States — for his role as Earth Day founder.

As the millennium approached, Hayes agreed to spearhead another campaign, this time focused on global warming and a push for clean energy. With 5,000 environmental groups in a record 184 countries reaching out to hundreds of millions of people, Earth Day 2000 combined the big-picture feistiness of the first Earth Day with the international grassroots activism of Earth Day 1990. It used the Internet to organize activists, but also featured a talking drum chain that traveled from village to village in Gabon, Africa, and hundreds of thousands of people gathered on the National Mall in Washington, DC. Earth Day 2000 sent world leaders the loud and clear message that citizens around the world wanted quick and decisive action on clean energy.

Much like 1970, Earth Day 2010 came at a time of great challenge for the environmental community. Climate change deniers, well-funded oil lobbyists, reticent politicians, a disinterested public, and a divided environmental community all contributed to a strong narrative that overshadowed the cause of progress and change. In spite of the challenge, for its 40th anniversary, Earth Day Network reestablished Earth Day as a powerful focal point around which people could demonstrate their commitment. Earth Day Network brought 225,000 people to the National Mall for a Climate Rally, amassed 40 million environmental service actions toward its 2012 goal of A Billion Acts of Green®, launched an international, 1-million tree planting initiative with Avatar director James Cameron and tripled its online base to over 900,000 community members.

The fight for a clean environment continues in a climate of increasing urgency, as the ravages of climate change become more manifest every day. We invite you to be a part of Earth Day and help write many more victories and successes into our history. Discover energy you didn’t even know you had. Feel it rumble through the grassroots under your feet and the technology at your fingertips. Channel it into building a clean, healthy, diverse world for generations to come.

Original Story – Earth Day Network

Get Mishka’s New EP, Featuring Jimmy Buffett

 

Renowned reggae artist Mishka has released a new EP entitled Ocean Is My Potion.

The record features Jimmy Buffett on two of the tracks, and is available now at iTunes for $5.99.

  1. Ocean Is My Potion (feat. Jimmy Buffett)
  2. Love You (When I’m Close To You)
  3. Rebel Soul
  4. Love and Roots
  5. When The Rain Comes Down
  6. Constant Revolution
  7. Trying To Reason With Hurricane Season (feat. Jimmy Buffett)

 

news_mishkaepCelebrated recording artist Mishka’s new release, the “Ocean Is My Potion” EP, is a journey back to his musical roots. Like Mishka himself, the album is imprinted with the sounds and emotions of the islands, with influences that range from the heavy bass of Reggae to the gulf and western stylings of Jimmy Buffett.

Mishka first met Jimmy Buffett when he was an entrepreneurial five year-old delivering fresh croissants to Jimmy’s sailboat in the French West Indies. The musician and young Mishka formed a fast bond, and Jimmy wrote and recorded a song about him called, “Chanson Pour Les Petis Enfants” which translates to, “Song For Little Children.”

When preparing to record his latest album, Mishka handpicked his support team, which led him back to his old friend from the islands. This album will be his first release on Mailboat Records.

Recorded at the famed Shrimpboat Sound Studio in Key West, the album features Mishka’s take on the Jimmy Buffett classic, “Trying to Reason with Hurricane Season.” The track features both famed musician Mac McAnally and Jimmy Buffett himself.

Born in Bermuda and raised in the Caribbean, Mishka’s music is a natural fit for Mailboat Records. Caribbean at its core, with an eclectic sound that blends island beats with mellow acoustic ballads, the music is amplified by the messages of love and social justice that are delivered straight from Mishka’s heart.

Mishka has played and toured with many artists, most notably Kenny Chesney, Zac Brown, Dirty Heads, Matisyahu and the Roots.

 Original Article

 

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Definition of Trop Rock according to WikiPedia

 

Tropical rock (or Trop-Rock) is a genre of popular music that incorporates elements and influences of rock and rollreggaecountry music,caribbean and zydeco, with themes and musical compositions inspired by an island style that represent a way of life that is relaxing and exotic. Trop-Rock should not be confused with the format of Radio Tropical, which is a generic term for Latin and Caribbean music formats, usually in Spanish.

Although today tropical rock is usually associated with southern Florida and the Gulf Coast of the United States, the roots of tropical rock are in the Southern California beach music of the 1960s with artists like Jan and Dean and The Beach Boys.

jimmyparrots1Although no one knows where the term Trop Rock originated, many relate it to the musical sound of Jimmy Buffett. In the early to mid 80′s,Jimmy Buffett, Bertie Higgins, The original Key Lime Pie Band out of Big Pine Key,and E.C.Davis out of Islamorada, were instrumental in the development of TroRock Music.They were all recording artists of this type of music.Also at that time was the Barefootman in the Cayman Islands. It is also called California Beach Sound. There are now many singers and composers within the genre of Trop-Rock throughout the United States. Some of the most popular bands in Trop-Rock genre include: A1A, The Barefoot Man, The Flip Flop Man, Blind Manifest, Boat Drunks, Captain Quint, E.C. Davis, Gary PhilipS, Michael Sea and Island Fever, Jimmy Parrish and the Ocean Waves Band, Jerry Diaz & Hanna’s Reef, Conch Republic, Jake and the Half Conched Band, Jim Morris, Jack Mosley, Jimmy & The Parrots, John Friday, Capt. Josh (Ramsteck) w/ Banjody, The Landsharks, Latitude,Caribbean Soul, Northern Harbor, Danny Taddei, Mile Marker 24 Band, Leo Dean, Sunny Jim (James White), Troy Allan, PHINS, Rick Steffen (KeyWestMusic.net), Jimi Pappas, Joe Bennett, Swampabbean, Calypso Nuts, Jim Lanier, The Tsunami Wave Riders, Pirate Dreams, Harbor Knights, Young Rebel Goombas, and Nowhere to Rum. Mainstream artists like Jack Johnson and Kenny Chesney have songs in the trop rock genre.

Island Time Radio Show

In the year 2000, Cleveland, Ohio DJ Dennis King started Island Time Radio, featuring island style music. In 2006, Lewis University‘s radio station, WLRA-FM, began programming this format on the air in Chicago and streaming world wide all day Saturday Conch Republic Radio streams Trop Rock music from The Florida Keys and Key West. Radio Margaritaville, available on Sirius XM Radio, also plays much of the genre, with a particular focus on Buffett. The internet station Songwriter’s Island streams all original Trop Rock and live concerts from many of the artists listed in this Wiki. The Trop Rock Music Association gives out the Trop Rock Music Awards at the annual Meeting of the Minds Parrothead convention in Key West Florida in November.

Original Source

 

Biography – Damian Marley

 

Damian Marley was only two when his father died, but the youngest of the Marley sons must have learned something. At the age of 13, he formed his first band, the Shepherds, which also included the son of Third World‘s Cat Coore and the daughter of Freddie McGregor; the group even opened up the 1992 Reggae Sunsplash festival. By 1994, Damian was working on his own solo project, and with the help of his father’s label, Tuff Gong, he recorded Mr. Marley. Also lending a familial air to the sessions was the presence of Stephen Marley, who produced and co-wrote several songs for the LP. Halfway Tree from 2001 earned a Grammy nomination, but the public generally overlooked the ambitious album. Not so for the reggae-meets-hip-hop single “Welcome to Jamrock,” which became an urban phenomenon soon after its summer 2005 release. Street-level mixtapes began featuring it, urban radio couldn’t get enough of it, and remixes — both legal and not so legal — began appearing at a fast pace. The well-rounded album Welcome to Jamrock delivered on the promise of the single that same year, reaching the Top Ten. ~ John Bush, Rovi

Bio of Ziggy Marley

The oldest son of reggae legend Bob Marley and his wife Rita, Ziggy Marley was the natural heir to the throne left vacant by his father’s untimely 1981 death. Along with backing band the Melody Makers, a unit comprised of his brothers and sisters, he successfully carried on the tradition of communicating the music’s message to a growing global audience, even scoring a U.S. Top 40 single in the process — a claim neither of his parents could make. Born David Marley in Kingston, Jamaica on October 17, 1968, he received guitar and drum lessons from his father, and began sitting in on Wailers recording sessions at the age of ten. In 1979, Ziggy, his sister Cedelia, brother Stephen, and half-sister Sharon all joined Bob in the studio to record the single “Children Playing in the Streets.” Christened the Melody Makers, the four siblings continued playing together at family events, and even performed at their father’s state funeral.

Marley was not even 17 when he and the Melody Makers issued their EMI debut LP, Play the Game Right. The burdens of becoming a second-generation star weighed heavily on the youth — who looked and sounded almost eerily like his father — and he allowed the record and its 1986 follow-up, Hey World!, to veer closely toward pop music, resulting in derision from reggae purists. Poor sales, combined with EMI’s public desire to market Ziggy Marley as a solo act, prompted Marley & the Melody Makers to jump to the Virgin label, where they entered the studio to record their masterpiece, 1988′s Conscious Party. Produced by Talking Heads‘ Chris Frantz and Tina Weymouth, the album was both a critical and commercial smash, with the single “Tomorrow People” reaching number 39 on the pop charts. The follow-up, 1989′s One Bright Day, continued the Melody Makers’ artistic growth; it was also their best-selling effort to date, cracking the Top 20 and, like its predecessor, winning a Grammy.

Marley & the Melody Makers resurfaced in 1991 with Jahmekya, another assured and creative effort. It sold well, edging into the Top 20, but failed to generate much radio or video airplay. Released in 1993, Joy and Blues barely charted, despite adding elements of contemporary dancehall (a showcase for Stephen‘s rapping skills). The latter record was the Melody Makers’ last release for Virgin, and they moved to Elektra for 1995′s Free Like We Want 2 B. Fallen Is Babylon followed in 1997, and scored a third Grammy. Like his father, Marley eventually emerged as a leading political voice, and was named a Goodwill Youth Ambassador for the United Nations; at home in Kingston, he also founded his own record label, Ghetto Youth United, created to spotlight the next generation of reggae talent.

In addition to the four siblings in the Melody Makers, three other Marley children — Damian, Julian, and Ky-Mani – also pursued careers in music. The music continued into the new millennium, as Marley released Ziggy Marley & the Melody Makers Live, Vol. 1 in fall 2000. Without the Melody Makers, Dragonfly was released as his first official solo album in 2003, but its 2006 follow-up Love Is My Religion was the one with the hit, as the album’s title track put Ziggy back on reggae radio throughout the globe. His 2009 effort Family Time was a charming children’s album, while 2011’s Wild and Free returned to the socially conscious reggae that launched his career. ~ Jason Ankeny, Rovi

Ziggy Marley Remembers His Dad, Bob Marley, for Father’s Day

It’s a busy year for the oldest son of reggae legend Bob Marley. Not only has Ziggy Marley, 44, recently embarked on a nationwide tour for his latest album Wild and Free, he’s also the executive producer of Marley (out now), the first documentary authorized by the Marley family on the life of the late reggae star.

Marley took a moment from his tour to chat with ESSENCE.com about Father’s Day, what he remembers most about his famous dad, and the most important thing he learned from him.

ESSENCE.com: Marley came out in April to great reviews and fanfare. What were your favorite parts?
ZIGGY MARLEY: Parts of it were emotional for me, especially the part when I told the story about [Bob’s] time in Germany when he was sick and us kids never knew much about it. That was pretty emotional, yeah. I think my favorite part is hearing the story of the Wailers rehearsing at the cemetery [to get rid of stage fright]. I laughed when I saw that.

ESSENCE.com: How will you and your family celebrate Father’s Day this year?
MARLEY: Every day of our lives, our Father is with us. Every day our Father is here with us spiritually anyway. I remember him every day, you know.

ESSENCE.com: What’s your most memorable moment with him?
MARLEY: One of the most memorable moments, I think, would be me and my brother Stephen taking a trip with him to Zimbabwe for the independence celebration in 1980. That was pretty special for both of us to be with him during that significant time.

ESSENCE.com: Do you remember what it was like the first time you saw your dad perform?  
MARLEY: I remember significant concerts, [for example] Zimbabwe is one, and then there’s the One Love concert. What would happen is, me and my younger brother would go on stage at the end, like the last song, usually a song called ‘Exodus.’ Those times are stuck in my memory; being on stage with [Bob] and my brother and we’re jamming out to him and the Wailers playing ‘Exodus’ until the end of the show.

ESSENCE.com: What would you say is the most important thing Bob taught you?
MARLEY: Hard work, respect mothers and spirituality, because as a child we learned to have manners for elders and to respect our mothers and fathers. So I think what I learned from him as a parent, not as a musician, but as a parent, is how to treat other people.

ESSENCE.com: Do you think people have any misconceptions of your father?
MARLEY: I think the biggest misconception is a lot of people think they know [Bob]; a lot of people think they do, but you know, the only ones that truly know my father are my mother and his mother. All those other people that think they know him, they only think they know him. People come to me  [and say] “I thought I knew everything, but this film really showed me that I didn’t know everything.” So that’s what [Marley] is about, to let those that think they knew everything [after you watch it] now you know everything.

ESSENCE.com: What’s your favorite song or album by your father?
MARLEY: It’s hard to say a favorite song of my father’s. I listen to all his stuff; a lot of the old stuff before the 70s. The album I used most was Survival during my high school years. That album brought me into the consciousness of Africa, the struggle of Black people.

Photo by Kii Arens

Read more: http://www.essence.com/2012/06/15/exclusive-ziggy-marley-remembers-his-dad-bob-marley-for-fathers-day/##ixzz1y841UYs0

History of Phlockers Gone Wild

History of Phlockers Gone Wild

A lot of you are wondering about the origin of the good ship Phlockers Gone Wild.

There was a social network named Meet The Phlockers based around the music and life of Jimmy Buffett as shared by loyal Phlockers…a group of Parrotheads and tropical enthusiasts.

For some reason the powers that be at MTP decided to take away freedom of speech in the pursuit of political correctness.

A renegade bunch of Phlockers led by the Key West contingency decided enough was enough after being thrown overboard by Meet the Phlockers. This travesty occurred because some photos were deemed risqué. This slighted rag tag group of straight talkers preferred the truth… instead of euphemistic fantasy, and  a culture of social expression built around life in Key West and the Conch Republic.

These Phlockers embraced their hidden lineage of piracy, built their own ship and decided to sail with their own mission in pursuit of tropical expression and island life. Their mission was to deliver free speech and maintain free will to all who wanted to board the good ship Phlockers Gone Wild.

While maintaining their mission, Phlockers Gone Wild has seen quite a few days of rum, plundering, and pilfering. Quite a few pirates, Parrotheads, artists, authors, and phlockers have sailed with us.

Also along the way, the original good ship PGW had to be blown up by the Captain who had assumed control of the good ship PGW.

It had become apparent the old ship had too much vulnerability, as the mission had been compromised. Factions loyal to the former Captain had taken away the focus on the people of PGW and put it on themselves.

A legendary group of high seas enforcers rumored to be called “Evil Dreaded Pirates” took up the cause of the good ship PGW. After a quick and definitive battle, that band of rogues restored command to the true and rightful Captain.

After commissioning a brand new ship and refining our mission, the Captain promptly retired.

The good ship Phlockers Gone Wild is in good hands. It is to be enjoyed by all who board her.

Post, comment, like, share, dream, and scheme but don’t be mean to any of your fellow Phlockers!

It’s rumored “Evil Dreaded Pirates” are onboard amongst us to protect the good people of PGW as needed…

Feel free to enjoy!  ALL ABOARD!

Review of Marley (Bob Marley Movie)

Marley

A lively and in-depth look at Bob Marley: Documentary captures the music legend’s highs and lows

Whenever an artist’s family authorizes a documentary, there’s a worry that it’s going to be a rosy, public-relations piece. “Marley’’ is not that. It’s an outstanding, warts-and-all look at reggae legend Bob Marley, who died young of cancer at age 36 in 1981 but not before becoming a Third World superstar.

Marley overcame a ghetto upbringing in the Trench Town neighborhood of Kingston, Jamaica, to become a gifted writer of socially conscious, spiritually uplifting reggae anthems. If you love this music, you’ll be dazzled by the generous 66 songs in the film but you’ll also appreciate the ruthlessly honest look at his life, right down to his rampant womanizing. He had 11 children by 7 women. It’s astonishing to hear how his wife, Rita (who was also one of his backup singers), put up with it. They had separate rooms on the road and “we never fought about women,’’ she says, though one of her daughters, Cedella, adds there were times when her mom was “hurting.’’

In many other ways, though, Marley was a beacon of hope for the Jamaican people. He and his band the Wailers brought songs of freedom to places as far away as Africa, where Marley played at Zimbabwe’s independence day (he paid out of pocket to take the band there). He also set box office records at the time in Europe by playing to 2 million people in six weeks. And when he returned home between tours, he gave away a lot of money to destitute Jamaicans who came to visit his compound in Kingston, on the appropriately named Hope Road. There is archival footage of all of it, from his concert stops to his homecomings, enhanced by newly compiled interviews with everyone from Cindy Breakspeare (who was crowned “Miss World’’ in 1976 and was one of his girlfriends), to former band members, relatives, boyhood friends, business associates, and even his Rastafarian doctor.

The film is ably directed by Kevin Macdonald, who won an Oscar for best documentary for “One Day in September,’’ about the murder of Israeli athletes at the 1972 Olympics in Munich. Macdonald is a hardnosed filmmaker not given to sugarcoating. And there is none here, starting with graphic footage of Cape Coast Castle in Ghana, from which thousands of enslaved Africans were once shipped by boat to the New World. The film then cuts to Marley singing “Exodus’’ and its famous line “Let the captives free!’’ Macdonald also emphasizes how much of Marley’s music was inspired by his rejection as a youth, since he was a “half-caste’’ — his dad was a white British Army officer and his mother a black Jamaican. He only saw his dad a few times and he was mocked by many Jamaicans in school.

Marley was signed by Island Records owner Chris Blackwell, the executive producer of this film with Marley’s son Ziggy, but Blackwell’s history is not sugarcoated either. Marley’s former bandmates Peter Tosh and Bunny Wailer are said to have been very distrustful of Blackwell’s attempt to turn the Wailers into a “black rock act,’’ though Marley ultimately approved the move and the others quit the group.

This film is long. But it grabs one’s senses and won’t let go. It is visually exhilarating, especially the aerial, mist-enshrouded views of Marley’s first home deep in the country in St. Ann’s Parish. And, as you might expect, you can almost smell the ganja coming off the screen. A joint or a pipe bowl is never far from the action. But it also moves to an emotional climax as Marley, dying of cancer, is shown at a holistic clinic in Bavaria where he lived much of the last year of his life. A nurse describes Marley as “very patient.’’ And Marley never left a will, because he never thought he was going to die. He even issued a statement in his last year that he would tour again soon. It is this spirit that makes you love Marley despite his flaws.

Steve Morse, a former Globe critic who now teaches an online course in rock history at Berklee College of Music, can be reached at spmorse@gmail.com.

© Copyright 2012 Globe Newspaper Company.

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A Special Featured Artist of the Week – Bob Marley (in honor of the movie release 4/20)

BOB MARLEY SAID THAT HE WOULD RETURN TO THE FARM ONE DAY
Written by the Marley Family

No other artist has had the galvanic global effect of Bob Marley. Singer, songwriter, and prophet, he has received innumerable honors, including The Jamaican Order of Merit, a star on the Hollywood Walk of Fame, induction into the Rock and Roll Hall of Fame, and a Grammy Lifetime Achievement Award and many more. The New York Times called him the most influential musical artist of the second half of the twentieth century. An international icon, he’s instantly recognized by his mane of flashing dreadlocks and message of conscious love and revolutionary unity, wailing over a thunderous reggae groove. Even decades after his passing, Bob Marley continues to be the standard by which not just Jamaican but all popular music artists must be measured.

Robert Nesta “Bob” Marley was born on February 6, 1945, to Cedella Booker, a local village girl, and Norville Marley, a colonial captain, in the lush countryside around St. Ann’s Bay, Jamaica. His formative teenage years were spent in Kingston’s vibrant and sometimes violent ghetto – Trenchtown – and it was here that Marley gained insight for his prose, recognizing the humanity, dignity and richness that can flourish despite material deprivation.

Bob Marley formed his band The Wailing Wailers in 1963 with friends Peter Tosh and Bunny Wailer. Their music was inspired in part by American soul, gospel and R&B. The harmony trio played a significant role in the ska and rock steady music which mirrored Jamaica’s new post-colonial identity. The band would release some 30 singles over the next few years, including “Simmer Down,” which reached the top of the Jamaican music charts.

In 1966, Bob married his girlfriend Rita Anderson and left for the United States the next day to gather financing for his next album. After eight months stateside, Bob returned to Jamaica, bringing the group back together, now known simply as The Wailers. The band would end up traveling to London in 1971 and securing an unprecedented record deal with Island Records, ultimately leading to the release of their debut album, Catch A Fire.

The Wailers’ second album, Burnin, was released in 1973 and included tracks such as “Get Up, Stand Up” and “I Shot The Sheriff,” which would bring them a new level of worldwide attention when Eric Clapton covered it the following year, reaching the number-one spot on the U.S. singles chart.

Tosh and Wailers parted ways with Marley before the release of Natty Dread in 1975, which produced such hits as “No Woman, No Cry” and “So Jah Seh.” The band name then became Bob Marley & The Wailers, with harmonies sung by a female trio called I-Three, which included Bob’s wife Rita. Indeed, even as he was becoming an international star, the ghetto runnings and global trickery he sang about still haunted him. Shortly after trying to unite Kingston’s warring political gangs by performing at a free Peace Concert in 1976, Marley was shot and wounded in his own uptown Kingston home the night before the concert. Undeterred, Marley would go on to play the show as scheduled, in defiance of the would-be assassins.

The following year Marley returned to London and recorded Exodus, a stirring, militant and mystic musical landmark that would eventually be voted the most significant album of the twentieth century by TIME magazine.

Consistent and rigorous, Marley continued to challenge himself and the complacency of society in his next albums, Kaya, Survival and Uprising. Marley’s songs were an inspiration to downtrodden and impoverished people the world over. He was humbled and honored to receive an official invitation from the newly liberated government of Zimbabwe to play at their Independence Ceremony in 1980.

But though his fame and authority were reaching new heights, Marley’s health was failing. He had been secretly tussling with what was originally thought to be a football injury, but proved to be a terminal melanoma cancer. Bob Marley passed away in Miami, where he had stopped en route to his home in Jamaica, on May 11, 1981, at age 36. His last words, spoken to his son Ziggy, were “Money can’t buy life.” Marley’s remains were transported to Jamaica and he was given an official state funeral. He was buried alongside his guitar in a mausoleum near his place of birth.

For Marley, celebrity itself was merely a byproduct of a lifelong mission: To raise the consciousness of people everywhere, to make heard the voice of the downtrodden and the ghetto “sufferah,” and to powerfully project his insights to the world in a peerless canon of dancing music.

His songs have titles like incantations and Biblical invocations. Tracks like “Soul Rebel,” “Natural Mystic,” “Burnin’ and Lootin’,” “Exodus,” “Jamming,” and “One Love” are now essential elements of our human cultural vocabulary. Three years after his passing, the phenomenal Legend anthology was released, sealing his mythic status.

As he’d hoped, his children have continued his work through various artistic efforts, business ventures and philanthropic foundations. Bob Marley is still very much with us through his recordings and writings. His mystique and influence have continued to grow, and his words have become ever more necessary and relevant: “Emancipate yourself from mental slavery, none but ourselves can free our mind.”

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